| POLEMICAL INTRODUCTION | |
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| FIRST ESSAY. Historical Criticism: Theory of Modes | | |
| Fictional Modes: Introduction | |
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| Tragic Fictional Modes | |
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| Comic Fictional Modes | | |
| Thematic Modes | | |
| SECOND ESSAY. Ethical Criticism: Theory of Symbols | | |
| Introduction | | |
| Literal and Descriptive Phases: Symbol as Motif and as Sign | | |
| Formal Phase: Symbol as Image | |
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| Mythical Phase: Symbol as Archetype | | |
| Anagogic Phase: Symbol as Monad | | |
| THIRD ESSAY. Archetypal Criticism: Theory of Myths | | |
| Introduction | |
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| Theory of Archetypal Meaning (1): Apocalyptic Imagery | |
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| Theory of Archetypal Meaning (2): Demonic Imagery | |
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| Theory of Archetypal Meaning (3): Analogical Imagery | |
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| Theory of Mythos: Introduction | |
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| The Mythos of Spring: Comedy | |
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| The Mythos of Summer: Romance | |
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| The Mythos of Autumn: Tragedy | | |
| The Mythos of Winter: Irony and Satire | | |
| FOURTH ESSAY. Rhetorical Criticism: Theory of Genres | | |
| Introduction | | |
| The Rhythm of Recurrence: Epos | | |
| The Rhythm of Continuity: Prose | | |
| The Rhythm of Decorum: Drama | | |
| The Rhythm of Association: Lyric | | |
| Specific Forms of Drama | | |
| Specific Thematic Forms (Lyric and Epos) | | |
| Specific Continuous Forms (Prose Fiction) | |
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